Products related to Subjectivity:
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Subjectivity
Explores the history of theories of selfhood, from the Classical era to the present, and demonstrates how those theories can be applied in literary and cultural criticism.Donald E. Hall: * examines all of the major methodologies and theoretical emphases of the twentieth and twenty-first centuries, including psychoanalytic criticism, materialism, feminism and queer theory* applies the theories discussed in detailed readings of literary and cultural texts, from novels and poetry to film and the visual arts* offers a unique perspective on our current obsession with perfecting our selves * looks to the future of selfhood given the new identity possibilities arising out of developing technologies. Examining some of the most exciting issues confronting cultural critics and readers today, Subjectivity is the essential introduction to a fraught but crucial critical term and a challenge to the way we define our selves.
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Obscurer Subjectivity
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Lacanian Psychoanalysis : Revolutions in Subjectivity
Jacques Lacan's impact upon the theory and practice of psychoanalysis worldwide cannot be underestimated.Lacanian Psychoanalysis looks at the current debates surrounding Lacanian practice and explores its place within historical, social and political contexts.The book argues that Lacan’s elaboration of psychoanalytic theory is grounded in clinical practice and needs to be defined in relation to the four main traditions: psychiatry, psychology, psychotherapy and spirituality.As such topics of discussion include: the intersection between psychoanalysis and social transformationa new way through deadlocks of current Lacanian debatea new approach to ‘clinical structures’ of neurosis, perversion and psychosis Lacanian Psychoanalysis draws on Lacan's work to shed light on issues relevant to current therapeutic practice and as such it will be of great interest to students, trainees and practitioners of psychoanalysis, psychotherapy, counselling and other domains of personal and social change.
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Consent : Gender, Power and Subjectivity
This book considers the concept of consent in different contexts with the aim of exploring the nuances of what consent means to different people and in different situations.While it is generally agreed that consent is a fluid concept, legal and social attempts to explain its meaning often centre on overly simplistic, narrow and binary definitions, viewing consent as something that occurs at a specific point in time. This book examines the nuances of consent and how it is enacted and re-enacted in different settings (including online spaces) and across time.Consent is most often connected to the idea of sexual assault and is often viewed as a straight-forward concept and one that can be easily explained.Yet there is confusion among the public, as well as among academics and professionals as to what consent truly is and even the degree to which individuals conceptualise and act on their own ideas about consent within their own lives. Topics covered include: consent in digital and online interactions, consent in education, consent in legal settings and the legal boundaries of consent, and consent in sexual situations including sex under the influence of substances, BDSM, and kinky sex.This book will appeal to students and scholars interested in issues of consent from the social sciences, gender theory, feminist studies, law, psychology, public health, and sexuality studies.
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Is morality shaped by subjectivity?
Morality is shaped by a combination of subjective and objective factors. While there are certain universal moral principles that are widely accepted across different cultures and societies, individuals also bring their own subjective experiences, beliefs, and values to their understanding of morality. This means that while there may be some common ground in moral beliefs, there is also room for individual interpretation and variation. Ultimately, morality is a complex interplay of both subjective and objective influences.
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What is meant by the subjectivity of perception?
The subjectivity of perception refers to the idea that each individual's perception of the world is influenced by their own unique experiences, beliefs, and emotions. This means that two people can perceive the same event or object in different ways based on their personal perspectives. Subjectivity of perception also suggests that our interpretations of sensory information are not purely objective, but are instead shaped by our internal thoughts and feelings. This concept highlights the complexity and variability of human perception.
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What are the subjectivity and injectivity of a matrix?
Subjectivity of a matrix refers to the property of the matrix that determines whether the columns of the matrix span the entire space. If the columns are linearly independent and span the entire space, the matrix is said to be subjective. Injectivity of a matrix, on the other hand, refers to the property that determines whether the columns of the matrix are linearly independent. If the columns are linearly independent, the matrix is said to be injective.
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What is the subjectivity and injectivity of a matrix?
The subjectivity of a matrix refers to the property of the matrix that determines whether the matrix can map every element in its domain to an element in its codomain. A matrix is said to be subjective if every element in the codomain is the image of at least one element in the domain. On the other hand, the injectivity of a matrix refers to the property of the matrix that determines whether the matrix maps distinct elements in its domain to distinct elements in its codomain. A matrix is said to be injective if every element in the codomain is the image of at most one element in the domain. In summary, subjectivity deals with whether every element in the codomain is covered by the matrix, while injectivity deals with whether distinct elements in the domain are mapped to distinct elements in the codomain.
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Marguerite Duras : Feminine Subjectivity and Sensoriality
The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music.Her multisensorial approach opened up new spaces for the female experience to be expressed.Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators.Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.
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Self and Subjectivity in Social Research
This is a book that thinks about what it means to be human and what this could mean for social research.Addressing ontological shifts across the social sciences, the book reconsiders the nature of self, experience and social reality and their implications for doing research differently.It delves into wide-ranging topics from the self in crisis, through the self and the nature of language, to ethics and the self.The book also:Helps you understand epistemology and ontology in practice with case studies of real world research;Critiques dominant approaches and examines global perspectives and contexts that challenge them;Explores the potential of interdisciplinary approaches to resolve tensions in social research;Discusses how ontology can shape research practice, policy development and social support systems. This book will help postgraduate students, academics, researchers and teachers embrace new ways of thinking about self and subjectivity. Donna M. Thomas is a Research Fellow at the University of Central Lancashire and Co-director of ICreateS International Research Unit & Research. Sarah Durston is head of the Sentience and Science Foundation, the Netherlands, honorary professor at UCLan and co-director of the ICreateS research unit, and professor in developmental neuroscience at Utrecht University, the Netherlands.
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Negotiated Moments : Improvisation, Sound, and Subjectivity
The contributors to Negotiated Moments explore how subjectivity is formed and expressed through musical improvisation, tracing the ways the transmission and reception of sound occur within and between bodies in real and virtual time and across memory, history, and space.They place the gendered, sexed, raced, classed, disabled, and technologized body at the center of critical improvisation studies and move beyond the field's tendency toward celebrating improvisation's utopian and democratic ideals by highlighting the improvisation of marginalized subjects.Rejecting a singular theory of improvisational agency, the contributors show how improvisation helps people gain hard-won and highly contingent agency.Essays include analyses of the role of the body and technology in performance, improvisation's ability to disrupt power relations, Pauline Oliveros's ideas about listening, flautist Nicole Mitchell's compositions based on Octavia Butler's science fiction, and an interview with Judith Butler about the relationship between her work and improvisation.The contributors' close attention to improvisation provides a touchstone for examining subjectivities and offers ways to hear the full spectrum of ideas that sound out from and resonate within and across bodies.Contributors. George Blake, David Borgo, Judith Butler, Rebecca Caines, Louise Campbell, Illa Carrillo Rodríguez, Berenice Corti, Andrew Raffo Dewar, Nina Eidsheim, Tomie Hahn, Jaclyn Heyen, Christine Sun Kim, Catherine Lee, Andra McCartney, Tracy McMullen, Kevin McNeilly, Leaf Miller, Jovana Milovic, François Mouillot, Pauline Oliveros, Jason Robinson, Neil Rolnick, Simon Rose, Gillian Siddall, Julie Dawn Smith, Jesse Stewart, Clara Tomaz, Sherrie Tucker, Lindsay Vogt, Zachary Wallmark, Ellen Waterman, David Whalen, Pete Williams, Deborah Wong, Mandy-Suzanne Wong
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Queering Desire : Lesbians, Gender and Subjectivity
Queering Desire explores, with unprecedented interdisciplinary scope, contemporary configurations of lesbian, bi, queer women’s, and non-binary people’s experiences of identity and desire.Taking an intersectional feminist and trans-inclusive approach, and incorporating new and established identities such as non-binary, masculine of centre (MOC), butch, and femme, this collection examines how the changing landscape for gender and sexual identities impacts on queer culture in productive and transformative ways. Within queer studies, explorations of desire, longing, and eroticism have often neglected AFAB, transfeminine, and non-binary people’s experiences.Through 25 newly commissioned chapters, a diverse range of authors, from early career researchers to established scholars, stage conversations at the cutting edge of sexuality studies.Queering Desire advances our understanding of contemporary lesbian and queer desire from an inclusive perspective that is supportive of trans and non-binary identities. This innovative interdisciplinary collection is an excellent resource for scholars, undergraduate, and postgraduate students interested in gender, sexuality, and identity across a range of fields, such as queer studies, feminist theory, anthropology, media studies, sociology, psychology, history, and social theory.In foregrounding female and non-binary experiences, this book constitutes a timely intervention.
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What does the metaphor "poem analysis new subjectivity" mean?
The metaphor "poem analysis new subjectivity" refers to the idea of approaching the analysis of a poem with a fresh and individual perspective. It suggests that instead of relying solely on established literary interpretations, one should bring their own unique experiences, emotions, and insights to the analysis. This metaphor encourages readers to engage with the poem on a personal level, allowing for a deeper and more subjective understanding of the text. It emphasizes the importance of individual interpretation and the recognition that each reader brings their own subjectivity to the analysis of a poem.
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What is the theme in most of the poems of the New Subjectivity?
The theme in most of the poems of the New Subjectivity revolves around introspection, self-exploration, and the individual's inner thoughts and emotions. These poems often delve into personal experiences, feelings, and perceptions, focusing on the complexities of human existence and the search for meaning in a fragmented world. The poets of the New Subjectivity movement aim to express their innermost thoughts and emotions authentically, often blurring the lines between the personal and the universal.
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How can social communication and interaction be described?
Social communication and interaction can be described as the exchange of information, ideas, and emotions between individuals through verbal and non-verbal means. It involves the use of language, gestures, facial expressions, and body language to convey messages and establish connections with others. Social communication and interaction play a crucial role in building relationships, fostering understanding, and creating a sense of belonging within a community. It is a dynamic process that involves active listening, empathy, and the ability to adapt to different social contexts and cultural norms.
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What is the difference between social communication and social interaction?
Social communication refers to the exchange of information through verbal and nonverbal means, such as speaking, gestures, and facial expressions, to convey thoughts, feelings, and ideas. On the other hand, social interaction involves the broader concept of engaging with others in a social setting, including activities such as playing, sharing, and collaborating. While social communication focuses on the exchange of messages, social interaction encompasses the overall dynamic of how individuals engage with one another in social contexts.
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